as Curator

The Witching Hour at GMP: The gallery was dived into two sections, one dark and one illuminated, referring to night and day. The night space was sound proofed and behind a curtain. The audience were invited to enter the space and experience a list of selected sound works by Wales-based artists working with sound. Shoes were removed upon entering to encourage an extended period of time in the space. The audio was edited to 1 hour and a diagram in the daylight space, in the form of a dial/clock indicated the approximate start times.